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There Is One Good Fantastic Four Movie, Actually

Jessica Plummer

Contributing Editor

Jessica Plummer has lived her whole life in New York City, but she prefers to think of it as Metropolis. Her day job is in books, her side hustle is in books, and she writes books on the side (including a short story in Sword Stone Table from Vintage). She loves running, knitting, and thinking about superheroes, and knows an unnecessary amount of things about Donald Duck. Follow her on Twitter at @jess_plummer.

Among Marvel’s many hundreds of characters, the Fantastic Four are a bit infamous for their apparent inability to make a good movie. The 2005 Fantastic Four and its 2007 sequel, Fantastic Four: Rise of the Silver Surfer, were widely panned, as was 2015’s Fantastic Four (or Fant4stic, if you will, though I wish you wouldn’t). 1994’s The Fantastic Four was never even released. The only thing this franchise seems to be able to get right is its casting of blazing hot (zing!) Johnny Storms. This is particularly sad when you consider that the FF were the start of what we now know as the Marvel comics universe and yet they still can’t seem to get it together on film, while characters like Groot of all people are household names.

However. Way back in 1962, a Fantastic Four movie was made that, by all appearances, is amazing. Tragically, we can’t see it, because it was made within the Marvel universe, in an issue of the comic. But let’s take a look at the filming of this masterpiece and see if we can’t live vicariously through Marvel’s moviegoing public.

The cover of Fantastic Four #9, showing a miserable Fantastic Four lugging their suitcases out of a skyscraper. A crowd boos while Namor watches gleefully. A huge billboard reads "Fantastic Four evicted from building! 5 tower floors for rent!"

Caption: "What happens to comic magazine heroes when they can't pay their bills and have no place to turn? Don't miss the newest and most original tale of all...the end of the Fantastic Four!"
Namor (thinking): "Little do they dream that they will soon be at the mercy of the Sub-Mariner!"
Ben: "Heroes one minute - bums the next!! How did it happen to us??!"
What ’60s teenager can’t relate to being ejected from their quintupleplex before a jeering crowd? Truly, Stan and Jack had their fingers on the pulse of the nation’s youth.

The story unfolds in Fantastic Four #9, by Stan Lee and Jack Kirby. The cover alone is truly a thing of goofy Silver Age beauty. Lee and Kirby are often credited with popularizing three dimensional, flawed heroes with down-to-Earth problems like financial woes, but I think you’d be hard-pressed to find a reader who can relate to this particular scenario.

A large panel from Fantastic Four #9. Across the top of the page is the title "The End of the Fantastic Four!" Namor sits in a chair made of giant clamshell, watching a TV that appears to be made of coral.

Narration Box: "In a hidden chamber, far under the sea, Prince Namor, the amazing Sub-Mariner tunes into a TV newscast from the surface world, and hears a startling announcement..."
News Anchor: "Bulletin! The world-famous Fantastic Four are bankrupt! They have announced plans to dissolve their partnership and sell all their possessions in order to pay their debts!"
Namor: "What's that??"

We open with Namor the Sub-Mariner watching an underwater TV while sitting in a clamshell chair, which is worth the price of admission already. Namor had already clashed with the FF twice despite this only being issue #9, so he’s pretty pleased to hear that they’ve gone bankrupt, and also smells an opportunity.

We cut to the FF, where it turns out that Reed lost all their money playing the stock market — great job, smartest man on Earth! — and is now forced to sell off their equipment. The rest of the team offers to help, with Johnny declaring that “There must be some way I can cash in on this fiery body of mine!” (not until you’re 18, Johnny), but Reed refuses to allow them to rent themselves out as “freaks” or commit crime, which are apparently the only options? I don’t know, I feel like Ben could make bank on completely legal demolition jobs.

But then a miracle happens: they receive a telegram (a telegram!) from S. M. Studios in Hollywood offering them a million dollars in cash to star in a movie. Neither the specification of cash nor the fact that they’ve never heard of S. M. Studios raise any red flags for the team, so it’s off to Hollywood!

Two panels from Fantastic Four #9.

Panel 1: The FF talks. Sue and Johnny look dismayed.

Reed: "There's just one little detail - how do we get to Hollywood?"
Sue: "That's right! We're broke - and it's expensive to travel cross-country!"
Johnny: "I guess there's only one thing to do..."

Panel 2: Johnny, Reed, and Sue stand by the side of a road with their suitcases and their thumbs out, while Ben hides behind some trees.

Ben: "I'll stay out of sight! Back here, so I don't scare anyone away!"
Johnny: "Someone'll stop sooner or later!"
Reed: "Don't be embarrassed! We'll all laugh about this one day!"
Sue: "I hope so!"
They’re so broke that they have to hitchhike to get there. Truly this issue is one of the all-time greats.

The FF arrives in Hollywood, where they tragically only have a little over a page to gawk at the stars (including Bob Hope and Dean Martin, which I guess makes this a crossover with DC). They are ushered into the head office of S.M. Studios, where they meet the producer…

Three panels from Fantastic Four #9.

Panel 1: Reed approaches a figure from the back.

Narration Box: "But the producer continues to stare out of the window, as though unaware of the entrance of the Fantastic Four, until..."
Reed: "Excuse me, but I think you were expecting us!"

Panel 2: The FF reacts in shock.

Narration Box: "And then, slowly, calmly, he turns, and..."
Reed: "Look!"
Johnny: "Holy cow!"
Ben: "You!"

Panel 3: Namor looks calmly at the FF. He's wearing a green pinstriped blazer over a yellow cravat and has a cigarette holder in his mouth.

An offscreen member of the FF: "It's the Sub-Mariner!"
Namor: "At your service!"
I have such a beautiful mental image of this soaking wet, naked man walking into a public library and looking up “producer” in the encyclopedia to figure out what his costume should be.

…Namor! With a cravat and a cigarette lighter because that’s how producers dress, I guess! I can’t stop laughing. Please give this issue a hundred belated Eisner Awards.

Namor explains that he’s loaded with sunken treasure, so out of idle playboy boredom, he founded S.M. Studios (Sub-Mariner Studios, get it???) and decided to make a movie about the Fantastic Four for *mumblemumble* reasons. Ben’s suspicious, but the money’s green, so they agree without asking to see a script or even what the movie’s about.

Spoiler: This is a Mistake.

When filming begins, Namor takes Reed out to “Hidden Isle.” Reed asks again about a script, but Namor tells him not to worry about it, just improvise fighting the robot cyclops the studio has placed on the island.

Three panels from Fantastic Four #9.

Panel 1: Reed climbs over some huge rocks.

Narration Box: "Minutes later..."
Reed: "No sign of the mechanical cyclops yet! Wonder what it looks like? Must be a big, shaggy monster, like the one used in the old-time movie King Kong!"

Panel 2: On the boat, Namor gloats while a member of the crew watches.

Namor (thinking): "The fool fell for it! Wait till he learns that the cyclops isn't mechanical! It's the real cyclops, who won't allow any human to leave his isle — alive! Now to return home! We're finished here!"

Panel 3: A shadow looms over Reed.

Cyclops: "After all these centuries — a human intruder!"
Reed: "Cyclops! You're — you're alive!"
Green Hat back there looks real skeptical.

But it’s a trap! The cyclops is real! Who could have predicted this??? Of course, Reed is still Mister Fantastic, and he handily defeats the cyclops, but Namor has already departed to spring his next trap.

I have so many questions about the crew following him around. They’re not his subjects because they aren’t blue like other Atlanteans, so are they a real film crew? Surely there must be some real movies being made on this lot, or John Wayne and Alfred Hitchcock wouldn’t be hanging out there. In that case, aren’t any of the crew wondering why the boss keeps luring his stars into dangerous stunts and immediately leaving while cackling? Or is that just sort of par for the course in Hollywood?

[Note: Johnny’s trap involves African “natives” and the entire sequence is extremely racist so we’re going to skip it entirely. Also, take all those Eisners I handed out before away. Ugh.]

To cap off his scheme, Namor takes Ben to the beach and tells him they’re going to improvise a fight scene, then just starts whaling (get it?) on him. Ben manages to gain the upper hand by dragging Namor away from the water that is the source of his strength, until he is RANDOMLY STRUCK BY LIGHTNING and turns human again (???), allowing Namor to easily knock him out. Things just sort of happen in this comic, don’t they?

Three panels from Fantastic Four #9.

Panel 1: Ben wobbles on his feet while Namor advances on him.

Narration Box: "Shaking the cobwebs from his brain, Namor watches as the Thing reels dizzily, but still remains standing..."
Namor: "By the trident of Davy Jones! What does it take to knock you out??!!"

Panel 2: Ben mid-transformation, with the center of his face and body orange and rocky and the sides normal flesh.

Narration Box: "The Thing has absorbed a shock which would have been fatal to any lesser man, but it has a strange effect on Namor's hulking foe..."

Panel 3: Ben, fully human.

Narration Box: "There, in the gathering darkness, the mysterious power of the electrical charge causes the Thing to change once again..."
I don’t know why Ben’s always complaining about being the Thing when apparently turning back is this easy.

Namor returns to S.M. Studios where Sue has been sitting around unquestioningly because Stan Lee was allergic to writing women with functioning brains. He announces his triumph AND THEN PROPOSES. Sue, astonishingly, tells the man who just claimed to have killed her brother that she would have considered his proposal if he’d been honest about his intentions, but now…! Apparently murdering all of Sue’s loved ones is fine, but lying is naughty.

The ensuing fight is sublimely ridiculous. Sue turns invisible and throws a lot of books at Namor. Namor summons the power of an electric eel, which is of course effective because eels can’t read. Sue throws a carpet over Namor — his one weakness! — but he turns his eyes into cave fish eyes to spot her via radar. Namor’s powers are weird.

Two panels from Fantastic Four #9.

Panel 1: Sue, invisible, throws a carpet over Namor.

Sue: "I myself am not without resources, Namor! This carpet, thrown over you, will provide insulation for me - protecting me from the electric current!"

Panel 2: Namor pulls the carpet down, his eyes glowing. It's incredibly silly-looking.

Namor: "You are worthy of me, female! In every way! But here is a power you cannot combat! The radar sense of the cave fish from the lowest depths of the sea! They have no eyes, but can sense the presence of others by using their radar-type instincts! As I shall do with you!"
It is a CRIME that this has not been committed to film. Yes, I know Sue would be invisible. Someone else can figure that part out.

Sue is struggling in Namor’s clutches, which would be more upsetting if we hadn’t just seen how cartoonishly ineffective Namor’s nefarious schemes are, when the rest of the FF bursts through the door, alive and well and hopping mad. (The lightning strike that turned Ben human has worn off, like lightning does.) Sue tells them they can’t fight Namor — who is currently attempting to abduct her against her will — because three against one isn’t fair. The logic of this story is utterly bananapants and I’m in love with it.

To give Sue credit, she then resolves the whole issue by pointing out that the FF upheld their end of the bargain. Namor glumly agrees that the movie will be made, gives them a million dollars, and Charlie Brown–trudges into the sea.

Four panels from Fantastic Four #9.

Panel 1: Sue looks sternly at an unhappy Namor.

Sue: "Besides, we made a contract with Namor! We lived up to our part - we cooperated in his movie! Now he must live up to his part!"
Namor: "The movie will be produced - as promised! You will get your money!"

The next three panels show Namor walking into the ocean until he is submerged, with a shared narration box that reads "And then, silently, majestically, the proud figure turns and leaves the building, as no hand is raised to stop him! With a slow, steady tread he enters the vast swirling sea, never looking back...the monarch returns to his domain!"

Sue speaks over the three panels:

Panel 1: "You - you did the right thing - all three of you! You had to let him go!"

Panel 2: "After all, he lives by a different code than we do - he can never really understand us! And - "

Panel 3: " - whatever he did - he did for - love!"
Hello darkness, my old friend…

And then somehow the movie gets made??? Out of like 20 minutes of live action footage of not even the entire FF fighting random enemies, including the owner of the studio??? Someone please hold a seance and ask Stan and Jack what the heck this movie is about, I am dying to know. But it couldn’t be any worse than Rise of the Silver Surfer.

Two panels from Fantastic Four #9.

Panel 1: The Fantastic Four wave cheerfully at a movie premiere as they are photographed.

Narration Box: "Weeks later, all America acclaims a new motion picture hit, little dreaming of the amazing tale behind the film! The Fantastic Four once again have the money to carry on their unique lifes' work, and our saga is ended!"

Panel 2 is just a narration box which reads: "But the adventures of the Fantastic Four are not over! There will be more thrills and surprises with the foursome whose incredible exploits and down-to-Earth realism truly make this — the world's greatest comic magazine! The End"
“DOWN-TO-EARTH REALISM.” Yes, that’s exactly the term I’d use.

Anyway, all’s well that ends well and the FF enjoy a glamorous Hollywood premiere, only to have all of this never mentioned again. Truly, a story for the ages. Hey, maybe the next Fantastic Four movie should just be an adaptation of this! I’d see it, wouldn’t you?