10 Native North American Women Writers to Read This Fall

Annette Saunooke Clapsaddle is the first enrolled member of the Eastern Band of Cherokee Indians to publish a novel. Even As We Breathe is a historical novel that tells the story of a young Cherokee man who leaves home to work at a resort hotel in the Blue Ridge Mountains during WWII. Unfortunately, shortly after his arrival he finds himself entangled in a fight to prove his innocence for a crime he didn’t commit. Not only does Clapsaddle tell a darn good story, but she does so in a way that feels conversational and intimate. Needless to say, it’s an immensely engaging read.

Chickasaw writer Linda Hogan has been publishing since the late 1970s. Although she’s primarily a poet, Hogan has also written essays, novels, and a memoir. Her latest poetry collection, A History of Kindness, was released this June and centers the global environmental crisis of the contemporary moment. There’s something calm and steadying about Hogan’s poetry. In other words, her writing is accessible and complex all at once. With that in mind, if you prefer prose, try her novel People of the Whale. It’s a captivating story of trauma, war, and survival. Honestly, you can’t go wrong with anything Hogan’s written.

Deborah Miranda’s (Chumash/Ohlone-Costanoan Esselen) mixed-genre book Bad Indians: A Tribal Memoir takes on colonial histories in California. Miranda locates Native women’s voices in the archives, exhuming them from anthropological documents and newspapers so their words can accompany hers in this robust rejection of dominant narratives of Native absence. The book includes poems, photographs, and other archival documents. At times playful, at other times tender, Bad Indians is a powerful read.

Whereas, the first collection by Oglala Lakota poet Layli Long Soldier, is a brilliant and thought-provoking work that takes on legislative legacies governing Native Americans. The book takes its title from the language of treaties and other government proclamations. As such, Long Soldier deconstructs language and policy alike, turning them inside out in this formally innovative and critically important book. This one will give your brain a workout—and it’s totally worth it!

Mojave poet Natalie Diaz made a big splash with her first poetry collection in 2012. She published her second collection, Postcolonial Love Poem, earlier this year. Intense and poignant, Diaz’s collection overwrites narratives of erasure in powerful ways. She incorporates everything from statistics to hip hop lyrics into her poetry. Consequently, her style is easy to connect with even as she wrestles with everything from the personal to the political.

Terese Marie Mailhot’s (Seabird Island First Nation) memoir, Heart Berries, attracted a lot of attention two years ago. In fact, critics lauded it as not only a blazingly raw depiction of mental health issues, but also one book in a movement that signaled the beginning of a New Native American Renaissance. Deeply personal, Heart Berries is rendered with a sense of urgency. Mailhot’s essays explore her early years alongside her adult struggles with PTSD and bipolar disorder. This book might break your heart a little bit, but you’ll feel stronger because of it.

Choctaw writer and scholar LeAnne Howe has published poetry, novels, stories, essays, and scholarship. Her most recent work, Savage Conversations, is a fascinating play that brings together two historical events: Mary Todd Lincoln’s 1875 institutionalization and Abraham Lincoln’s 1862 order that resulted in the largest mass execution in the U.S. In this slim volume, Mary Todd Lincoln experiences a recurring haunting that forces readers to face the skeletons in the U.S.’s closet.