20 Must-Read Fiction and Nonfiction Books about the Disability Experience

The title “mean baby” reflects how adults impose narratives on children, who are too young to regulate their emotions. Blair has had a successful acting career since the 1990s, including the movies Cruel Intentions and Legally Blonde. In 2018, she was diagnosed with multiple sclerosis. In 2019, she walked down the red carpet at the Oscars using a customized cane, a moment that was meaningful to many fellow disabled people. Her 2022 memoir covers her childhood, career, and diagnosis.

Nadina LaSpina was born in Sicily in 1948 and contracted polio as a child. Around age 13, she and her family immigrated to the U.S. At an NYC hospital after surgery, she wore a body cast for almost a year. She also used a wheelchair and made friends with disabilities for the first time. Like many other disabled authors, she found both experiences freeing. As an adult, she participated in protests with many fellow disabled activists, which led to the passage of the ADA and its precursor, Section 504.

Disability rights advocate and lawyer Haben Girma wrote in the introduction to her memoir: “Communities designed with just one kind of person in mind isolate those of us defying their narrow definition of personhood.” She was born in California to Eritrean immigrant parents. In 2013, she became the first Deafblind graduate of Harvard Law School. She describes working with her guide dog, communicating with assistive technology, and volunteering to help build schools in Mali.

This essay collection is a brilliant combination of personal reflection and pop culture analysis. Brown explains growing up with cerebral palsy and her relationships with her twin sister and close friends. She analyzes her pop culture favorites while acknowledging how racism and ableism negatively impacted her self-image. She’s also published fiction books: Sam’s Super Seats is a picture book illustrated by Sharee Miller and The Secret Summer Promise is a queer YA romance. Both books have young, Black protagonists with cerebral palsy.

Cure is a complicated, fraught subject in the disabled community. Each person has a different perspective on it. This book explores the related concepts of personhood, bodily autonomy, and consent, which systemic oppression often denies marginalized people. This book provides historical context on the intersection of racism, anti-LGBTQIA hate, and ableism. Examples include the ableist and racist history of circus sideshows and the abuse of Ota Benga, a Mbuti man abducted and displayed in the Bronx Zoo against his will in 1906.

Judith Heumann was a lifelong activist. Her parents — both orphaned by the Holocaust — defied a doctor’s suggestion to institutionalize her. Her parents advocated for her to access school. At Camp Jened, later profiled in the documentary Crip Camp, Huemann honed her skills as an organizer and met many other future activists. In 1970, she sued the state of New York and became its first teacher who used a wheelchair. Her protests contributed to the passage of Section 504 in the 1970s and the ADA in 1990. She died in 2023 at age 75. Being Heumann and Disability Visibility, mentioned earlier, have also both been adapted into versions for young readers.

Born in Tehran, Iran, Porochista Khakpour is a novelist and essayist. In her memoir, she describes moving across the U.S. and trying supplements and frustrating treatments on the long journey to her late-stage Lyme disease diagnosis. She also experienced misdiagnosis, medical racism, and sexism. She describes feeling alienated from her own body: “To find a home in my body is to tell a story that doesn’t exist.”

In 1980, Lorde, an activist, poet, and professor, published her account of surviving breast cancer. The book combines poetry and personal essays with her journal entries. It explores how her diagnosis affected her identity as a Black, feminist, lesbian woman. Bodily autonomy is an important theme; for example, she discusses her personal decision not to wear a breast prosthesis after a mastectomy. Many later examples of feminist and disability literature would also explore these themes.

Like many other authors on this list, Gadsby describes writing a memoir as a way of regaining control over their own narrative. The queer, autistic, Australian comedian is a versatile, award-winning performer known for their Netflix comedy specials and visual art shows. They mix dry, self-deprecating humor and social critiques of systemic anti-LGBTQIA bias, sexism, and ableism. Gadsby describes the toll autistic masking took on them, especially as a teen.

This essay collection incorporates diagnostic criteria, the author’s emails to her doctors, and personal reflections. Her primary psychiatric diagnosis is schizoaffective disorder, bipolar type, but as the title suggests, diagnoses can overlap or change. She acknowledges that some people find diagnoses unnecessary, but for her, they are a reminder she’s not alone. Schizophrenia has been particularly stigmatized throughout history and described as evil, witchcraft, or possession. In her essay “Yale Will Not Save You,” Wang describes being pushed out of Yale due to her mental illnesses in the early 2000s. Colleges often treat disabled students as liabilities instead of accommodating them under the ADA. This is especially true of mental illnesses.

Sjunneson is an educator and speculative fiction author and editor. Her debut memoir analyzes ableism in pop culture and how inaccurate and stereotypical portrayals affect how Deafblind people are treated in everyday life. At her former favorite bar, a bartender calls her guide dog a “pet” and tries to force them both to leave, in violation of the ADA. She writes that this civil rights law from 1990 should be updated. For example, it should apply to online accessibility and be easier to enforce.

This novel follows a group of employees and young residents at a nursing home in Illinois. The characters are diverse, both racially and in their disabilities, and each has a distinct narrative voice and storyline. Joanne, an employee who was paralyzed as an adult, relates to the residents and introduces them to disability history and activism. Overcrowding and under-staffing enable abuse and death. The residents realize they can protest their corrupt, abusive institution. This novel won the 2012 PEN/Bellwether Prize for Socially Engaged Fiction. The author was also a playwright who reworked her best-unproduced play into this novel.

Set in a boarding school for Deaf students, this novel’s characters include Charlie, a new student, and February, an alumna and headmistress trying to save the school. It also contains lots of background on Deaf culture and illustrations of American Sign Language. Some of the students, like Austin, come from Deaf, signing families, while Charlie comes from a hearing family. Growing up without access to sign language was socially isolating for Charlie. Her story also shows that many Deaf people don’t want cochlear implants. In Charlie’s case, her implants are dangerous. She crews for a school production of Peter Pan and joins a diverse, rebellious group of friends.

This 2018 YA anthology is diverse in the styles and subjects of the stories and the authors’ and characters’ identities. The stories range from science fiction and fantasy worlds to realistic, contemporary stories about dating. These are dynamic characters, whose relationships with other characters — and with their own disabilities — are complex and sometimes change.

The title of this YA novel has a possible double meaning: taking a deep breath before anesthesia or before swimming. Veró, the protagonist, is a Peruvian American teen girl with hip dysplasia, who wants to work as a performer at a mermaid-themed amusement park. She also has a crush on her neighbor. For disabled kids, scheduling surgeries can be daunting and completely disrupt school and other plans. This novel shows that surgeries, ableist harassment, first love, and first jobs have a huge impact on teens.