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Best of Book Riot: The Beginner’s Guide to Identifying First Editions, Part 1

Amanda Nelson

Staff Writer

Amanda Nelson is an Executive Director of Book Riot. She lives in Richmond, VA.

To celebrate the end of the year, we’re running some of our favorite posts from the last six months. We’ll be back with all-new stuff on January 7th.

Like many things in publishing, what denotes a first edition can be complex and dependent on the whims of individual publishing houses. Each company does their first edition identification (if they do any at all) differently, so unless you’ve got a handy-dandy house-by-house guide, the whole concept can make you go a bit cross-eyed. But there are a few very basic rules that can be helpful–and keep in mind these are for the person who has never examined a copyright page and is new to analyzing what editions they have. I’m going to use some books from around my house to illustrate:

Remember: “First Edition” Means Different Things To Different People

To publishers, a first edition is the first version of a book before changes are made (forewords added, afterwords added, typos corrected, whatever requires a new typeset). So, if the publisher prints 5,000 copies of a book, they all sell, and the publisher goes back to print more of the same version of the book? That is a second printing, first edition. The copyright page may even still say “First Edition” on it somewhere.

However, to most booksellers and collectors, a “true” first edition is both the first typeset version of the book AND the first printing. If the publisher sells out of the first run and goes back for another printing, that second printing is not considered a true first edition, even if the copyright page says it is. An easy way to tell a bookseller is trying to get one over on you is if they try to sell you a later-than-first printing and call it a “first edition.”

So, step one is the most obvious: does it say “First Edition” on the copyright page? Exhibit A, the copyright page of my first edition of The Secret History.

the secret history

What if there is no “first edition” on the copyright page? Check the title page for a publication date and compare it to the date on the copyright page. Here’s an example from my edition of Cry, the Beloved Country, which is not a first edition but doesn’t indicate that one way or the other on the copyright page:


Checking For Printings
So if a book has had more than one printing, how can you tell which one you have and therefore whether or not your edition is a “true” first? This one really depends on the publisher. If it’s from a small press, which often run one printing of their books, you’re sometimes safe assuming what you have is a first edition unless otherwise noted. With many of the larger publishing houses, you’re on the lookout for a string of numbers on the copyright page, as shown in this copy of Heading Out to Wonderful:

The string of numbers can be descending, as it is here, ascending, or in totally random order. To identify what printing you have, look for the lowest number in the string. In this example, the lowest number is 1, so I have a first edition, first printing. Remember that even if the lowest number is 2, 3, or whatever, if the publisher is still using the original typeset, then the copyright page may still say “First Edition.”

If the copyright page does not say what edition you have but still has that string of numbers, check the date on the page. Look up the original publication date of the book to see if it matches. If the string of numbers has a one in it and the copyright page date matches the publication date, you’ve probably got a first printing of the first edition, though you should check this guide to see what the specific publisher usually does. Here’s an example from my copy of The Help, where the absence of a date other than the copyright date indicates it might be a first edition, but the string of printing numbers tells us that it is not a “true” first edition:

the help

That wraps up part one of The Beginner’s Guide to Identifying First Editions. In the next post, we’ll be talking about how to handle slightly more difficult first edition problems: internationally published books, book club editions (which are often identical to the actual first edition), etc.