
Fresh Ink: August 26th, 2014

A quarter of a century later, in a world shaped by what’s now known as “Haden’s syndrome,” rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. They are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an “Integrator”—someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder will be that much more complicated.
But as Shane and Vann begin to unravel the threads of the murder, it becomes clear that the real mystery—and the real crime—is bigger than anyone could have imagined. The investigation takes Shane and Vann from the halls of corporate power to the virtual spaces of the locked in, and to the very heart of an emerging, surprising new human culture.
Two decades after his debut collection Here We Are in Paradise (LB, 2/94) heralded Tony Earley as one of the most accomplished writers of his generation, the rueful, bittersweet, and riotous stories of Mr. Tall reestablish him as a mythmaker and tale spinner of the first rank. These stories introduce us not only to ordinary people seeking to live extraordinary lives, but also to the skunk ape (a southern variant of Bigfoot), the ghost of Jesse James, and a bone-tired Jack the Giant Killer. Whether it’s Appalachia, Nashville, the Carolina Coast, or a make-believe land of talking dogs, each world Earley creates is indelible.

After losing her fiancé in a shocking tragedy, Alex Morris moves from London to Edinburgh to make a break with the past. Formerly an actress, Alex accepts a job teaching drama therapy at a school commonly referred to as “The Unit,” a last-chance learning community for teens expelled from other schools in the city. Her students have troubled pasts and difficult personalities, and Alex is an inexperienced teacher, terrified of what she’s taken on and drowning in grief.
Her most challenging class is an intimidating group of teenagers who have been given up on by everyone before her. But Alex soon discovers that discussing the Greek tragedies opens them up in unexpected ways, and she gradually develops a rapport with them. But are these tales of cruel fate and bloody revenge teaching more than Alex ever intended? And who becomes responsible when these students take the tragedies to heart, and begin interweaving their darker lessons into real life with terrible and irrevocable fury? The Furies is a psychologically complex, dark and twisting novel about loss, obsession and the deep tragedies that can connect us to each other even as they blind us to our fate.
New York Times bestselling author Susan Elizabeth Phillips is back with a delightful novel of a killer love that is filled with her sassy wit and dazzling charm.
The dead of winter. An isolated island off the coast of Maine. A man. A woman. A sinister house looming over the sea . . .He’s a reclusive writer whose macabre imagination creates chilling horror novels. She’s a down-on-her-luck actress reduced to staging kids’ puppet shows. He knows a dozen ways to kill with his bare hands. She knows a dozen ways to kill with laughs.
But she’s not laughing now. When she was a teenager, he terrified her. Now they’re trapped together on a snowy island off the coast of Maine. Is he the villain she remembers or has he changed? Her head says no. Her heart says yes. It’s going to be a long, hot winter.
In Against Football, Steve Almond details why, after forty years as a fan, he can no longer watch the game he still loves. Using a synthesis of memoir, reportage, and cultural critique, Almond asks a series of provocative questions:
• Does our addiction to football foster a tolerance for violence, greed, racism, and homophobia?
• What does it mean that our society has transmuted the intuitive physical joys of childhood—run, leap, throw, tackle—into a billion-dollar industry?
• How did a sport that causes brain damage become such an important emblem for our institutions of higher learning?
There has never been a book that exposes the dark underside of America’s favorite game with such searing candor. PAPERBACK RELEASES

One morning before school, some girl tells Piddy Sanchez that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn’t even know who Yaqui is, never mind what she’s done to piss her off. Word is that Yaqui thinks Piddy is stuck-up, shakes her stuff when she walks, and isn’t Latin enough with her white skin, good grades, and no accent. And Yaqui isn’t kidding around, so Piddy better watch her back. At first Piddy is more concerned with trying to find out more about the father she’s never met and how to balance honors courses with her weekend job at the neighborhood hair salon. But as the harassment escalates, avoiding Yaqui and her gang starts to take over Piddy’s life. Is there any way for Piddy to survive without closing herself off or running away? In an all-too-realistic novel, Meg Medina portrays a sympathetic heroine who is forced to decide who she really is.

Willa Cather, wanting to be judged on her work alone, forbade publication of her letters, but now—with her literary reputation long secure—they have finally been made public. The 566 letters collected here, nearly 20 percent of the total, range from witty reports of life in Red Cloud in the 1880s that Cather wrote as a teenager, through her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and her growing eminence as a novelist. They describe her many travels around the United States and abroad, and they record her last years in the 1940s, when the loss of loved ones and the disasters of World War II brought her near to despair. Above all, they reveal her as a woman and writer passionately interested in people, literature, and the arts. The voice heard in these letters is one we already know from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times funny, sentimental, and sarcastic. Unfiltered as only intimate communication can be, they are also full of small fibs, emotional outbursts, inconsistencies, and the joys and sorrows of the moment. A deep pleasure to read, this volume is certain to appeal to scholars and readers alike.

It’s undeniable—technology is changing the way we think. But is it for the better? Amid a chorus of doomsayers, Clive Thompson delivers a resounding “yes.” In Smarter Than You Think, Thompson shows that every technological innovation—from the written word to the printing press to the telegraph—has provoked the very same anxieties that plague us today. We panic that life will never be the same, that our attentions are eroding, that culture is being trivialized. But, as in the past, we adapt—learning to use the new and retaining what is good of the old. Smarter Than You Think embraces and extols this transformation, presenting an exciting vision of the present and the future.

Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her license got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethics—carry a Beretta, do business with sleazebags, hack into people’s bank accounts—without having too much guilt about any of it. Otherwise, just your average working mom—two boys in elementary school, an off-and-on situation with her sort of semi-ex-husband Horst, life as normal as it ever gets in the neighborhood—till Maxine starts looking into the finances of a computer-security firm and its billionaire geek CEO, whereupon things begin rapidly to jam onto the subway and head downtown. She soon finds herself mixed up with a drug runner in an art deco motorboat, a professional nose obsessed with Hitler’s aftershave, a neoliberal enforcer with footwear issues, plus elements of the Russian mob and various bloggers, hackers, code monkeys, and entrepreneurs, some of whom begin to show up mysteriously dead. Foul play, of course.
With occasional excursions into the DeepWeb and out to Long Island, Thomas Pynchon, channeling his inner Jewish mother, brings us a historical romance of New York in the early days of the internet, not that distant in calendar time but galactically remote from where we’ve journeyed to since.

A stunning reimagining of Homer’s Odyssey set in post-apocalyptic Los Angeles, written by a master storyteller.
Seventeen-year-old Penelope (Pen) has lost everything—her home, her parents, and her ten-year-old brother. Like a female Odysseus in search of home, she navigates a dark world full of strange creatures, gathers companions and loses them, finds love and loses it, and faces her mortal enemy.
In her signature style, Francesca Lia Block has created a world that is beautiful in its destruction and as frightening as it is lovely. At the helm is Pen, a strong heroine who holds hope and love in her hands and refuses to be defeated.
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