
#ReadingBlackout for Black History Month
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I’m participating in the #ReadingBlackout for Black History Month, reading only books by African American authors this February.
The hashtag comes from booktuber Denise D. Cooper, who’s only reading books by black authors in 2018, a challenge she’s calling “The Blackout Year for Books.” Even if you don’t join the challenge for the full year, the hashtag #ReadingBlackout is about prioritizing black authors from your TBR, so Black History Month seemed like the perfect time to join in. Others are doing the same, also using the hashtag #ReadSoulLit—there’s even a read-along of Toni Morrison’s Tar Baby hosted by booktuber Brown Girl Reading.
In a video about the challenge, Denise says, “I have books on my shelf from Stephen King that I bought when it first came out, and I’ve been wanting to read it for years and still haven’t,” so why not prioritize the great books by black authors she’s been wanting to read?
I looked at my shelf and TBR and found plenty of celebrated books by black authors I’ve likewise been meaning to read for years and still haven’t. So I’m joining the #ReadingBlackout for the month of February and planning to read the following literary classics by African American authors:
This will be my third Morrison novel, after The Bluest Eye and Beloved. Sula follows two black female protagonists from youth to womanhood. Morrison has a lot of great novels, but I picked this one because I already own it and figured I should start with what’s on my shelves.
The main characters of Giovanni’s Room (1956) are two queer white men, but even this storyline ostracized the openly gay Baldwin from some of his readers, black and white. Baldwin was looked down on by famous black leaders and writers like MLK Jr and Richard Wright, and even the gay writer Langston Hughes disapproved of Baldwin’s openness about his sexual orientation.* Baldwin’s bravery in telling this story in 1950s America—and the book’s subsequent literary success despite the controversy—have me hooked.
Angelou’s memoir is always ranked near the top of lists on the best black literature, so it’s about time I read this seminal classic. I’m reading it alongside my best friend for our two-person book club. I plan to listen to the audiobook, which is narrated by Angelou herself.
Walker is best known for her novel The Color Purple, but her poems also explore issues of race, feminism, love, humanity, and forgiveness. I read her collection Goodnight, Willie Lee, I’ll See You in the Morning in 2014 after rescuing three of her books from my college library’s discard pile. The title poem and “Never Offer Your Heart to Someone Who Eats Hearts” wrecked me in all the right ways, but I haven’t gotten around to her other collections yet. Revolutionary Petunias is a largely-autobiographical book about revolution and love, and, in Walker’s own words, “those few embattled souls who remain painfully committed to beauty and to love even while facing the firing squad.” In Once, Walker reflects on both the time she spent living in Uganda and Kenya, and the Civil Rights era in the American South.
I typically read about four books a month, but with the inclusion of a few poetry collections and audiobooks, I think this list is manageable. If by some chance I finish all of these before the end of the month, I may delve into the Their Eyes Were Watching God by Zora Neale Hurston or Black Boy by Richard Wright, two other major classics of black lit. There are so many other excellent books by black authors, of course, and each of these authors has other work that’s worth delving into. That’s okay though, because while I’m only doing the #ReadingBlackout in February, reading black lit is a year-round thing (my January picks were Sing, Unburied, Sing by Jesmyn Ward and Dreams from My Father by Barack Obama). If you’re looking for some great nonfiction recommendations, Derek’s got black history recs for every month of the year.
Are you participating in the #ReadingBlackout at all this year? What’s on your #ReadSoulLit TBR for Black History Month?
*As mentioned in Josep M. Armengol’s essay, “In the Dark Room: Homosexuality and/as Blackness in James Baldwin’s Giovanni’s Room.”