Genre Kryptonite: Elvis Literature

Sean Bell

Staff Writer

Sean Bell is a Scots-Irish-Armenian writer based in Edinburgh. His journalism has appeared in the Glasgow Herald, the Sunday Herald, the Evening Times, Death Ray, Fringe. and Pop Matters. He can be followed on Twitter @SeanCMBell

Elvis Presley, Literary Muse

He was and is the quintessential American icon, the scope of whose meaning remains as panoramic and contradictory as the nation itself. As such, it is curious that Elvis Presley never found himself the subject of some weighty, would-be ‘Great American Novel.’

Though his legacy has long been a publishing phenomenon, yielding mountains of nonfiction ranging from the scholarly to the sensationalist, the practitioners of non-factual literature have always been strangely retiscent when it comes to the King… albeit with some exceptions.

Perhaps – no fat jokes, please – Elvis is simply too big a subject for most writers to handle. The story of Elvis is, depending on your perspective, also the story of rock and roll, racial politics, Southern culture, drug addiction, the power of celebrity, the rise and fall of greatness, and the evolving nature of American identity in the 20th century. Despite the richness of such material, not many novelists have the stamina to tackle all that in one go.

One might also argue that no fabrication could ever out-do the reality. A lot of cliches began with Elvis – ‘stranger than fiction’ might as well be one of them. Even the wildest imaginations of speculative literature failed to see Elvis coming, snake-hipped and gold-suited; now, almost 36 years after his death, the uniqueness of that character remains as embedded in the world’s consciousness as Adolf Hitler or Jesus Christ. Not bad for a guitar-strumming hillbilly.

As diligent readers may have noticed, I have a certain regard for Mr Presley, otherwise known as the only King to whom I would ever bow. That regard extends to my bookshelf, where most of my fascinations live, so for anyone considering a literary exploration of Elvis, I am happy to offer the following selection.

(Sadly, since the focus of this list is fiction, I am constrained from considering any of the excellent Elvis-themed cookbooks available to the discerning gourmet. As the world’s foremost expert on fried peanut butter-and-banana sandwiches, this breaks my clogged little heart).

armageddon the musicalArmageddon: The Musical by Robert Rankin

Genre-pulverising English humorist Robert Rankin recognised the epic possibilities of Elvis early in his career with Armageddon: The Musical. Although the King appears in every volume of the ‘Armageddon Trilogy’, it is here that Rankin rewrites the legend of Elvis for the first time, with mischievous abandon.

In the year 2050, nuclear war has long since reduced the world to a radioactive wasteland. This is unfortunate on a number of levels, since aliens have been televising life on Earth for thousands of years, turning the events of our history into the galaxy’s best-loved soap opera. However, post-nuclear existence makes for pretty grim viewing and viewers are turning off in droves. The network’s solution? Skip back a hundred years and change the plot.

The aliens plan to travel back in time, show a young Elvis his misbegotten future and offer him a chance to escape it by becoming President, delaying the nuclear holocaust and boosting ratings to their former glory. Of course, it doesn’t quite work out like that, after Elvis hijacks Barry the Time Sprout (don’t ask) and embarks on a ‘Presliad’ into the future to battle the Antichrist, who happens to be the Dalai Lama…

bubba ho-tep‘Bubba Ho-Tep’ by Joe R Lansdale

Many will be familiar with the story of ‘Bubba Ho-Tep’ from Don Coscarelli’s 2002 film adaptation (starring Bruce Campbell in possibly his greatest performance), but the original novella is still well worth picking up, offering as good an introduction as any to Lansdale’s trademark world of sardonic phantasmagoria.

Lansdale imagines that Elvis, at some point in the early 1970s, trapped and miserable within his own life, sought to escape it by swapping places with an impersonator, who famously died in-character shortly after. Meanwhile, the real Elvis continued to live in anonymity, impersonating himself, until old age and ill health eventually consign him to a Texas rest home, where his only friend is an elderly African-American gentleman who claims to be JFK. Left with nothing but his memories and regrets, Elvis believes his time has passed, until an ancient supernatural threat offers him one last chance to prove himself…

Like Rankin, Lansdale has enormous fun putting Elvis in a fantastical context, which is really the only kind of environment that seems to suit his larger-than-life persona. Yet ‘Bubba Ho-Tep’ is also one of the sweetest and most melancholy examinations of Elvis in fiction, crediting him with a great deal more depth than many of his portrayals.

my elvis blackoutMy Elvis Blackout by Simon Crump

Simon Crump’s collection of Elvis-themed short stories highlights the weird, semi-religious ethereality of Elvis’s place in pop culture, then sets that image ablaze with iconoclastic glee. Here we have Elvis the saint, Elvis the mental patient and Elvis the mass murderer, paranoid, psychotic and drenched in the blood of his enemies, more than a match for anything the world can throw at him.

A thrillingly disturbing little book, My Elvis Blackout is a study in contrasts and amalgamations, with stories that dance between fact and fiction, the surrealism of Crump’s prose melding with the surrealism of Elvis’s life, the tone skipping between blackest humour and disconcerting seriousness.




jungle rock bluesJungle Rock Blues by Nigel Cox

Full confession: I haven’t actually read this one yet, but I badly want to, for reasons which can be best summed up in its original title: Tarzan Presley.

First published in 2004, Cox’s novel mixes the mythology of two legends, and dares to imagine that the lord of the jungle and the king of rock and roll were one and the same. Personally, I cannot imagine any set of circumstances where such a combination does not result in pure joy.

Unfortunately, legal threats from the estate of Tarzan’s original author forced all Tarzan-related references to be altered, hence the change in title, the protagonist becoming ‘Caliban’, and the glorious conceit of the novel hiding in plain sight. Sadly, Cox died of cancer in 2006, and was thus unable to see the novel’s 2011 reissue. But with luck, whatever name it goes under, I’ll be able to track down a copy some day soon…


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