Started in 2010 by Marya E. Gates, Noirvember celebrates film noir for the month of November. There are countless ways to participate, but my plan for this year is to watch these excellent film noir based on novels.
In some cases, the novel is noir while the film is not so much noir, and in others the novel is less noir and the film more so. And some are noir through and through! It’s a good mix (I hope).
13 Bookish Film Noir
The Big Sleep, D. Howard Hawks
Based on The Big Sleep by Raymond Chandler, the first of the Philip Marlowe mysteries. Bonus: BEST TRAILER EVER. It opens in the LIBRARY. (If you watch on DVD, I highly recommend the 1945 cut.)
Devil in a Blue Dress, D. Carl Franklin
Based on Devil in a Blue Dress by Walter Mosley, the first of the Easy Rawlins mysteries. This is at the top of my viewing queue, as I have somehow never seen it…and the book is at the top of my TBR.
Double Indemnity, D. Billy Wilder
Based on Double Indemnity by James M. Cain. I believe this movie to be the perfect film noir, and recommend it as both noir 101 and just good viewing.
The Glass Key, D. Stuart Heisler
Based on The Glass Key by Dashiell Hammett. Probably his most-loved novel after The Maltese Falcon (see below) and The Thin Man (which was made into a non-noir movie with noir elements that I did not include on this list because I didn’t feel like it).
In A Lonely Place, D. Nicholas Ray
Based on In A Lonely Place by Dorothy Hughes. Like Devil in a Blue Dress, I have somehow never read or watched this one. I understand that the movie is based on the book in title only. I’ll let you know.
The Killers, D. Robert Siodmak
Based on the short story “The Killers” by Ernest Hemingway, available in The Complete Short Stories of Ernest Hemingway. There is also a 1964 version that is worth watching if you like the ’46, but nowhere near as good.
Laura, D. Otto Preminger
Based on Laura by Vera Caspary. Even if this movie were not brilliant (it is) and perfect (it is), and even if it did not star the divine Gene Tierney (it does), and even if Dana Andrews could not get it (he could), it would be worth watching for a very young Vincent Price and a delightfully cranky Clifton Webb.
The Long Goodbye, D. RObert Altman
Based on The Long Goodbye by Raymond Chandler, the sixth and best Philip Marlowe novel. The 1973 neo-noir by Robert Altman updates the character in delightfully unexpected ways. I am a fan.
The Maltese Falcon, D. John Huston
Based on The Maltese Falcon by Dashiell Hammett, which also spawned The Adventures of Sam Spade, my favorite radio play of all time (which was most decidedly not noir, but was really fun). This is one of THE classic film noir.
Mildred Pierce, D. Michael Curtiz
Based on Mildred Pierce by James M. Cain. The book is every bit as bleak and hopeless as any noir, but the movie takes it to a new level of noir, adding a mystery that is not in the book. For a more book accurate and non-noir adaptation, watch the 2011 HBO miniseries.
The Postman Always Rings Twice, D. Tay Garnett
Based on The Postman Always Rings Twice by James M. Cain. For years I disliked this movie because the character of the femme fatale is very different than in the book. Then I saw it on the big screen and I changed my mind. Yes, she is different, but I like both versions.
Sin City, d. Robert Rodriguez
Based on Sin City by Frank Miller. I went back and forth on whether to include this broad pastiche on film noir, but ultimately decided it’s too fun to leave off.
Strangers on a Train, d. Alfred Hitchcock
Based on Strangers on a Train by Patricia Highsmith. I maintain that Hitchcock did not make film noir, but this is certainly the closest he ever came.
A Few Notes
Final count: 3 movies based on James M. Cain novels, 3 movies starring Humphrey Bogart, 3 movies based on novels by white women, and a lousy 1 (one) movie based on a book by a person of color (also the only movie on this list with non-white actors). Please note that there are plenty of noir stories written by authors of color. They just have not been made into movies, or if they have I was not able to find them. It is also worth noting that the only classic film noir directed by a woman, Ida Lupino’s The Hitch-Hiker, is not based on a book. The same is true of the best-known neo-noir, Kathryn Bigelow’s Blue Steel.